Works List

All scores available on request

Opera

Outlier (2022) 35’, text by Josh Kaye and Alanya Noquet

for tenor, two sopranos, mezzo soprano, clarinet (doubling bass clarinet), cello, piano and percussion.

First performed at Tête à Tête: The Opera Festival 2022 (and can be viewed on this link).

 

Orchestral Works

Past. Present. Future (2020) 5’

2.2 (II cor anglais). 2 (II bass clarinet). 2 (II contra bassoon)/

2.2.1.0/ timp (1). percussion (1) (vibraphone, glockenspiel, 3 woodblocks, tam-tam)/ strings

 

Calling for Help (2021) 4’

2.2.2.2/2.2.3.1/timpani (1)/strings (solo cello part)

written for Trinity Laban Symphony Orchestra

A recording can be seen here

 

Voice and Small Ensemble

There is always light, even if we cannot see it (2022) 5’

for soprano, mezzo soprano, clarinet, viola and cello

written for and performed by members of The Riot Ensemble as part of a project with Trinity Laban

 

She Goes on (2021) 5’ based on a song by Naomi Littlebear Morena

for soprano, clarinet (doubling bass clarinet), harp and double bass

written for and performed by The Hermes Experiment as part of a project at Trinity Laban

The Eye is the First Circle to Icarus (2020) 5’ text after Lee Krasner

for soprano, clarinet (doubling bass clarinet), harp and double bass

written for and performed by The Hermes Experiment as part of a project at Trinity Laban

 

Cannaregio (2019) 5’

for soprano, clarinet, harp and double bass

written and performed by The Hermes Experiment as part of a project at Trinity Laban

 

Works for Small to Medium Ensemble and Open Score

Darkness/Wild Beauty (2021) 6’

text by Clare Wigzell

for tenor, flute, clarinet in Bb, tenor saxophone in Bb, harp, piano, violin and cello

Written for the Apollo Consort

 

Ankylosing (2021) 9’

for violin, 2 violas, precussion (snare drum, crotales, suspended cymbal) harp and cello. video by Peter Tilley

Full performance can be viewed here

 

101 Notes From Infinity (2019) 6’

for open score ensemble

Written for the CoMA London Ensemble

Score available here

 

Sequences (2019) 7’

for string quartet

written for and performed by The Smith Quartet as part of a project at Trinity Laban

 

Voice and Piano

The Oak Dreams (2020) 5’, text by Clare Wigzell

for high soprano and piano, written for Leeds Lieder 2020

Performed by Ruby Nightingale and Matthew Lee Knowles piano

 

In Parenthesis (2020) 6’, text after Lee Krasner

for high soprano and piano, written for Ruby Nightingale

Performed by Ruby Nightingale (workshop recording)

 

A Window (2018/19) 5’, text after Emily Dickinson

for soprano and piano, written for Suzanne Fennell

Performed by Suzanne Fennell (soprano) and Dominic Veall (piano)

 

Choral and Vocal Ensemble

How Fair (2018. rev 2021) 5’, after Song of Songs

For SATB choir

performed by singers from Trinity Laban and directed by Dominic Veall

 

Serpula Lacrymans (2020) 5’,

for 6 mixed voices

Written for and performed by the

CoMA Singers

 

After Plain Hunt (2019) 5’,

dedicated to Gregory Rose

for 6 mixed voices

Written for the CoMA Singers

 

Music on Christmas Morn (2017) 5’,

text by Anne Brontë

written for and performed by Constanza Chorus, directed by Joanna Tomlinson

 

Piano Works

Preoccupations (2017) 6’, for four hands piano

Performed by Lucy Callan and Xiaowen Shang

 

Birthday Pieces (2013) 10’, for solo piano

performed by Hannah Gill

 

Requiem Pieces (2013) 4’, for solo piano

performed by Hannah Gill

 

Solo Works

Little Image 1 (2019) 5’, for solo cello

written for Roxanna Albayati

 

Tendrils (2020) 8’, for solo cello

written for az lawrie